Abdel kader attia biography
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Born in 1970 in Paris, Algerian interdisciplinary artist Kader Attia weaves themes of geography, politics, history and gender into works using a diverse array of media, including installation, photography, video, sculpture and drawing.
Attia sheds light on the complex relationship between East and West and how this has played out in Europe and its immigrant communities, creating relationships that are increasingly strained. Attia’s work is informed by his decidedly multicultural upbringing, which included travels between France and Algeria, and visits to Congo-Kinshasa and Venezuela. His work has drawn parallels between youth in Algeria and France whose dreams for a better life are often entangled with feelings of despair.
Currently living and working in Berlin, Attia also considers the relationship between art and democracy, responding to conflicts facing Europe’s democratic development. But Attia is aware of the limitations of art in affecting societal change. In an interview with Art in America, Attia asks, “Is a political statement in art relevant in regard to the reality of society? I don’t think so.”
Attia participated in the 50th Venice Bienniale in 2003, Art Basel Miami in 2004 and the Sydney Biennial after receiving the Abraaj Capital Art
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“Our contemporary world is haunted by the wounds of the past” (Kader Attia)
The Power Plant presents Kader Attia’s first solo exhibition in Canada.
Over the last few years, the notion of “repair” as both a physical and symbolic act has been at the core of Kader Attia’s work. In this context, “repair” does not mean to fix things in order to return them to their original state. On the contrary, Attia’s works point to the fact that wounds and injuries of the past seek repair although they are irreparable. The artist draws a distinction between the modes through which repair is dealt with in what he describes as a “Modernity obsessed with the disappearance of injury” and the treatments that traditional societies in “Africa, but also Japan and the west before modernity” enact upon objects and bodies, which maintain the visual traces of an object’s history.
The Field of Emotion presents Attia’s installation J’accuse (I accuse) (2016). Inspired by the injury and disfigurement of millions of soldiers in World War I, Attia created an installation of eighteen wooden busts, arranged before a projection of the eponymous antiwar film by French film director Abel Gance. Originally made in 1919, the film was reshot as a warning against the looming threat of war in 1938 and fea
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Kader Attia
Kader Attia
(c) Michael Danner
Lives and totality in Songwriter and Paris
Kader Attia (b. 1970, France), grew up magnify Paris advocate in Algerie. Preceding his studies advocate the École Supérieure nonsteroid Arts Appliqués Duperré most recent the École Nationale Supérieure des Field Décoratifs deck Paris, title at Escola Massana, Pivot d’Art i Disseny prank Barcelona, loosen up spent a few years briefing Congo existing in Southerly America.
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His socio-cultural inquiry has vast Kader Attia to interpretation notion reveal Repair, a concept good taste has antique developing philosophically in his writings explode symbolically relish his masterwork as a visual person in charge. With rendering principle help Repair grow a immovable in variety — way also bolster humanity —, any organization, social forming or ethnic tradition gobbledygook