Beeldhouwwerken picasso biography
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Artists
Profile
- 2001
- Awarded an Honourary Fellowship at Royal Institute of British Architecture
Lives and works in London - 1999
- Awarded an Honorary Fellowship at the University of Wolverhampton
- 1997
- Awarded an Honorary Fellowship at the London Institute and Leeds University
- 1991
- Turner Prize Award ,UK
- 1990
- Awarded "Premio Duemila" at the Venice Biennale, Italy
- 1982
- Artist in Residence - Walker Art Gallery, Liverpool
- 1979
- Taught at Wolverhampton Polytechnic
- 1977-78
- Chelsea School of Art, London
- 1973-77
- Hornsey College of Art, London
- 1954
- Born, Mumbai, India
Selected Solo Exhibitions
- 2024
- "Monadic Singularity," Liverpool Cathedral, Liverpool, UK
"Anish Kapoor: Unseen," ARKEN Museum of Modern Art, Ishøj, Denmark - 2023
- "Anish Kapoor: Untrue Unreal,"Fondazione Palazzo Strozzi, Florence, Italy
- 2022
- "Anish Kapoor," Centre of Polish Sculpture, Orońsko, Poland
Gallerie dell’Accademia & Palazzo Manfrin, Venice, Italy
"Anish Kapoor: Selected works 2015-2022," SCAI PIRAMIDE, Tokyo, Japan - 2021
- Modern Art Oxford, Oxford, UK
- 2020
- "Anish Kapoor-HOWL," Pinakothek der Modern, Munich, Germany (forthcoming)
"Anish Kapoor," Houghton Hall, Norfolk, UK - 2019
- "Surge," Fundación Proa, Buenos Aires, Argentina
"Anish Kapoor," Central Academy of Fin•
Review of the KMSKA's colonial history
Floris Jespers’ letters betray the sense of superiority towards the Congolese people that was common among colonials. All the same, he considered the Congo and its art to be part of his artistic personality. He appropriated the country: literally so. According to a newspaper article published at the time of his death, Jespers was buried at Antwerp’s Schoonselhof cemetery in Congolese soil brought over specially at his request.
There are two African items, lastly, that unexpectedly form part of the KMSKA collection (fig. 15 and inv. 3241, depot). They were bequeathed by the heirs of Camiel Huysmans (1871–1968), former Socialist mayor of Antwerp, who visited the Congo in 1951. Huysmans might have brought this ebony sculpture of a woman’s head back with him on that occasion. It is of a type produced in large quantities for the European market.
Research: Koen Bulckens
We were only able to complete this work with the valuable input of a number of experts. We are grateful in this regard to Dr Bambi Ceuppens (KMMA), Leen De Jong, Prof. Idesbald Godeeris (KUL), Prof. Ulrike Müller (UA), Dr Els De Palmenaer (MAS), Guy Poppe and Prof. Ilja Vandamme (UA).
Special thanks are due to Prof. Emeritus Frans Buelens (UA), who combed throug
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