Biography hisham matar author
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Hisham Matar: ‘We all go through a lot. I’m wary of having “material”’
Hisham Matar, 53, was born in New York to Libyan parents and raised in Tripoli, Cairo and London, the place he has lived most since his mid-teens. His two previous novels, In the Country of Men (shortlisted for the 2006 Booker) and Anatomy of a Disappearance, are both narrated by boys whose father is abducted – an experience that is the basis of Matar’s Pulitzer-winning memoir The Return (2016), about the political imprisonment and probable murder of his own father, who opposed Muammar Gaddafi. In Matar’s new book, My Friends, a Libyan exile takes a walk across London while talking us through his youth and middle age, from his 80s student days to Gaddafi’s fall in 2011. For Colombian author Juan Gabriel Vásquez, it’s Matar’s “most political novel, but also an intimate meditation on friendship and love and everything in between”.
How did My Friends begin?
Unusually slowly. Years ago, when I was in Paris writing In the Country of Men, I wrote on the back of an envelope a very simple two-line idea for a book about three male friends who end up in different places. I started thinking about it more in 2011 and 2012 when I was surrounded by friends who were very involved in the Arab spring,
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Hisham Matar
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Hisham Matar Biography, Books, and Similar Authors
Interview
In an interview with the Booker Prize committee , the author of My Friends, longlisted for the Booker Prize 2024, talks about the classic that inspired him to become a writer, and why he always returns to Proust.
The inspirations behind my Booker-longlisted book
I wrote the opening paragraph and carried it in my head for a decade before I sat down to write the book. During that time I felt it work on me: the narrator's voice, the logic of his sentences, and his abiding passion for his friends. I gradually understood that the book was also a walk – a mapping of an exile, a city and a state of mind – that it was both thematically as well as metaphysically about friendship, its prose and syntax growing more familiar as it progressed, so that reading it would resemble a growing intimacy.
The book that made me fall in love with reading
Ibn Battuta's Travels, the mischievous and acrobatic essays of Al-Jahiz, and Italo Calvino's early short stories would be contenders. In poetry, Nizar Qabbani and Constantine Cavafy ran through my boyish days. But if I must choose one book, it would have to be The Arabian Nights, and if I'm to singl