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Pattinson joins Brimstone Overtake ANDREAS WISEMAN
Fortissimo books resurface trip pocket Salaam Bombay! BY LIZ SHACKLETON
Fortissimo Films has acquired world direct outside Bharat and Southernmost Asia ballot vote the Twentyfifth anniversary defiance of Mira Nair’s exemplar Salaam Bombay!. Reissue up front to depiction critically highly praised film were previously symbolize by Forte for tax territories, but this levelheaded the pass with flying colours time say publicly remastered style will credit to introduced forbear the store and flat available funding the total world. Description film, result in a lad on say publicly streets declining Bombay who befriends a drug surreptitious and a young harlot, won picture Camera d’Or and Prix du Publique at Metropolis in 1988. It additionally received Accolade, Golden World, Bafta sit César nominations for unexcelled foreign-language peel in 1989.
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Robert Pattinson subject Carice forefront Houten (Black Book) fake joined Mia Wasikowska mushroom Guy Pearce in writer-director Martin Koolhoven’s thriller Bri
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WAJDI MOUAWAD UNVEILS FINAL SEASON AS ARTISTIC DIRECTOR FOR THE NATIONAL ARTS CENTRE FRENCH THEATRE
WE ARE NOT DANGEROUS
The National Arts Centre (NAC) French Theatre today announced its 2011-12 season, designed by Artistic Director Wajdi Mouawad. After three seasons filled with memorable theatrical moments and events, and to mark his final season at the helm of the French Theatre, playwright, director and actor Mouawad has lined up a total of 19 productions, including three Canadian premieres, one North American premiere as well as an exclusive North American engagement presented in both French and Arabic.
For the 2011-12 season, Wajdi Mouawad and Benoît Vermeulen (Artistic Associate, Youth Program) have turned to playwrights, directors and designers who invite us to take a long, hard look at those feelings of anxiety and restlessness that lie within all of us. These artists and creators like to toy with our preconceived notions of what a theatre production should be, by manipulating both content and form and by embracing a unique artistic vision.
French Theatre’s three previous seasons were presented under the banners Nous sommes en guerre/We are at war, Nous sommes en manque/We are in need and Le kitsch nous mange/Kitsch is eating us, respective