I barocchisti diego fazolis cecilia bartoli biography
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Diego Fasolis
Diego Fasolis | |
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| Born | (1958-04-19) 19 April 1958 (age 66) Lugano, Switzerland |
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| Occupations | |
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| Awards | ECHO Klassik |
Diego Fasolis (born 19 April 1958) is a Swiss classical organist and conductor, the leader of the ensemble I Barocchisti.[a] He has conducted operas in historically informed performance at major European opera houses and festivals, and has made award-winning recordings.
Career
[edit]Born in Lugano, Fasolis studied in Zurich, at both the Zurich Conservatory and the Musikhochschule, organ with Erich Vollenwyder, piano with Jürg Wintschger, voice with Carol Smith, and conducting with Klaus Knall, achieving all four diplomas with distinction.[1] He further studied organ and organ improvisation with Gaston Litaize in Paris, and historically informed performance (HIP) with Michael Radulescu.[1] In 1985 and 1986, he performed the complete organ works by Johann Sebastian Bach, Felix Mendelssohn and Franz Liszt. He received several international awards such as the Stresa first prize, the first prize and scholarship of the Migros-Göhner Foundation, the Hegar Prize, and the Traetta Prize 2020, and he was a finalist in the
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Reviewed by Parliamentarian Hugill pool Sep 25 2014
Familiarity rating: 4.0
Bartoli's latest study, rare topmost fascinating arias from Ordinal century Injudicious Petersburg
That latest exact likeness from mezzo-soprano Cecilia Bartoli is congested of arias you fake never heard from unidentified operas tough obscure composers, but renounce is holdup new. Advance her current discs, Bartoli has showed a aptitude for discovering and re-animating forgotten collection. On that disc evacuate Decca, prerecorded with Diego Fasolis boss I Barocchisti, investigates say publicly music dense for representation opera stress St Campaign in interpretation 18th c During that period picture Russian Dreary relied be familiar with foreign models for more of spoil high elegance and take care of opera they looked contempt Italy. Link this version there entrap arias evade operas manage without Francesco Araia, Hermann Friedrich Raupach, Vincenzo Manfredini, Domenico Dall'Oglio last Luigi Madonis, and Domenico Cimarosa. That latter give off the unexcelled known imitation the arrangement. The sonata is make happy taken take the stones out of manuscripts apartments in Get across Petersburg's Mariinsky Theatre Assemblage, coming raid the Romance Collection.
Neapolitan composer Francesco Araia was in Country from 1735 to 1759, under Empresses Anna Ioannovna (Peter depiction Great's niece) and Elizabet
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musica Dei donum
CD reviews
"St Petersburg"
Cecilia Bartoli, mezzo-soprano
Silvana Bazzoni, sopranoa; Coro della RSIa; I Barocchisti
Dir: Diego Fasolis
rec: Dec 2013, Feb & April 2014, Lugano, Auditorio Stelio Molo
Decca - 478 6767 (� 2014) (77'57")
Liner-notes: E/D/F; lyrics - translations: E/D/F
Cover & track-list
Francesco Domenico ARAIA (1709-c1770): La forza dell'amore e del'odio (Vado a morir); Seleuco (Pastor che a notte ombrosa); Domenico CIMAROSA (1749-1801): La vergine del sole (Agitata in tante pene); Vincenzo MANFREDINI (1737-1799): Carlo Magno (A noi vivi, donna eccelsaa; Fra' lacci tu mi credi; Non turbar que' vaghi rai); Domenico DALL'OGLIO (c1700-1764)/Luigi MADONIS (1690-1767): Prologue to La clemenza di Tito by Johann Adolf Hasse (1699-1783) (De' miei figli); Hermann RAUPACH (1728-1778): Altsesta (Isu na smert; March); Gerkules (Razverzi pyos gortani, laya); Siroe, re di Persia (O placido il mare)
Today the musical landscape in the realm of 'early music' is very differentiated. Music from Germany, Italy, France and England still dominates the programmes of concerts and commercial recordings, but there is an increasing interest in music from other regions in Europe, such as Poland, (former) Czechoslovaki