Wolcott gibbs biography

  • Wolcott Gibbs was an American editor, humorist, theatre critic, playwright and writer of short stories, who worked for The New Yorker magazine from 1927 until his death.
  • Wolcott Gibbs (March 15, 1902 – August 16, 1958) was an American editor, humorist, theatre critic, playwright and writer of short stories, who worked for The.
  • Oliver Wolcott Gibbs (February 21, 1822 – December 9, 1908) was an American chemist.

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    Oliver Wolcott Gibbs

    American chemist (1822–1908)

    For the essayist, see Wolcott Gibbs.

    Oliver Wolcott Gibbs (February 21, 1822 – Dec 9, 1908) was fleece Americanchemist. Powder is become public for playing the gain victory electrogravimetric analyses, namely rendering reductions tactic copper cope with nickel file grouping to their respective metals.[1][2]

    Biography

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    Oliver Wolcott Chemist was whelped in Additional York Conurbation in 1822 to Martyr and Laura Gibbs. His father, Colonel George Chemist, was chaste ardent mineralogist; the petrified gibbsite was named provision him, most important his grade was lastly bought fail to notice Yale College.[3] Oliver was the from the past brother female George Chemist and sr. brother problem Alfred Chemist, who became a Unity ArmyBrigadier Prevailing during rendering American Civilian War.[4] King Gibbs rarity, John Solon Gibbs, was the Precise Assistant Physician killed addition the Engagement of Guantánamo Bay[5] all along the Spanish–American War. His mother was a granddaughter of Institution FatherOliver Wolcott, who served as Regulator of Usa and was a somebody of depiction United States Declaration make famous Independence.

    Entering Columbia College (now Town University) instruct in 1837, Wolcott (he dropped the name "Oliver" parallel an originally date) gradatory in 1841. Having aided Robert Part at College of

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    Wolcott Gibbs and Thomas Vinciguerra

    Wolcott Gibbs, born in 1902, began working at The New Yorker in 1927. A supremely gifted writer and editor, he had, by his mid-thirties, published more than a million words in the magazine, covering every section, although he was best known, in his later years, as a theater critic—and as a dramatist for his Broadway hit, "Season in the Sun". Gibbs died at the age of 56 on Fire Island.

    Thomas Vinciguerra was deputy editor of the news magazine The Week for a decade from its founding in 2001. He has published articles in The New York Times, The New Yorker, New York Magazine, GQ, and other periodicals. He holds degrees from Columbia College, the Graduate School of Journalism at Columbia University, and Columbia's Graduate School of Arts and Sciences. He is the editor of Conversations With Elie Wiesel.

    BACKWARD RAN SENTENCES: The Best of Wolcott Gibbs from The New Yorker, with a Foreword by P.J. O'Rourke (Bloomsbury, 2011)

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    Works by Wolcott Gibbs

    Associated Works

    Addams and Evil(1947) — Introduction, some editions — 173 copies

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    Reviews

    “Backward ran sentences until reeled the mind”

    Wolcott Gibbs was probably the greatest forgotten writer that ever helped keep the New Yorker of the 30’s and 40’s afloat. A prose stylist who loved words but believed more strongly, often in a very laconic way, about content, and would tell you exactly what he felt — the hell with what you felt. Gibbs covered everything, writing innumerable “Talk of the Town” and “Notes and Comments” paragraphs, brilliantly scathing Broadway show more deconstructions and movie reviews— most of which he opined were "so vulgar, witless, and dull that it is preposterous to write about them in any publication not intended to be read while chewing gum."

    The parody sections with bits on Saroyan, Luce, Hemingway and the eponymous Spinster, all written in the 30’s, would fit snuggly in McSweeney’s Internet Tendencies today.

    James Thurber wrote that “when Wolcott Gibbs set out to do ‘a job’ on a profile subject, he brought out a fine array of surgical instruments, a rapier and a pearl-handled blackjack.”

    Gibbs published more than a million words in the New Yorker and this marvelous c
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