Hound dog the leiber and stoller autobiography
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Hound Dog: Say publicly Leiber & Stoller Autobiography
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Hound Dog
The hitmakers behind Elvis Presley’s “Hound Dog” and “Jailhouse Rock” recount their rise to songwriting stardom while authoring the classic American R&B sound of countless chart-topping singles.
In 1950 a couple of rhythm and blues–loving teenagers named Jerry Leiber and Mike Stoller met for the first time. They discovered their mutual affection for R&B and, as Jerry and Mike put it in this fascinating autobiography, began an argument that has been going on for over fifty years with no resolution in sight.
Leiber and Stoller were still in their teens when they started working with some of the pioneers of rock and roll, writing such hits as "Hound Dog," which eventually became a #1 record for Elvis Presley. Jerry and Mike became the King’s favorite songwriters, giving him "Jailhouse Rock" and other #1 songs. Their string of hits with the Coasters, including "Yakety Yak," "Poison Ivy," and "Charlie Brown," is a part of rock ’n’ roll history. They founded their own music label and introduced novel instrumentation into their hits for the Drifters and Ben E. King, including "On Broadway" and "Stand by Me." They worked with everyone from Phil Spector to Burt Bacharach and Peggy Lee. Their smash musical Smokey Joe’s Café became the longest-running musical rev
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Hound Dog: The Leiber and Stoller Autobiography | Jewish Book Council
Jerry Leiber and Mike Stoller were not only two of the most creative songwriters of the 20th century, but also vital figures — along with fellow American Jews such as Benny Goodman, Jerry Wexler, and the Chess brothers — in the integration of American music and popular culture. Today, they are figures of nostalgia, perhaps known best as the songwriters whose music makes up the musical “Smokey Joe’s Cafe.” Back in the 1950’s and early 1960’s, however, their writing not only catapulted Elvis Presley to worldwide fame, but also helped performers such as Joe Turner, Big Mama Thornton, The Coasters, and The Drifters make their mark with colorful and entertaining songs that crossed color lines, sometimes in rather daring fashion. “Kansas City,” “Stand by Me,” “Hound Dog,” and “Jailhouse Rock” are some of the most recognizable American songs ever.
This dual autobiography essentially has Leiber and Stoller trading verses, alternating as they share the stories of their lives. This is an effective technique when they are telling the same story — as in their anecdotes about Presley and his over-the-top manager Colonel Parker — but a&